Video retrospective, 1977-1984 [videorecording] / The Waitresses. [between 1984 and 1991]

ArchivalResource

Video retrospective, 1977-1984 [videorecording] / The Waitresses. [between 1984 and 1991]

This is a compilation video of works by the Waitresses, a feminist performance group founded in 1977 by artists Jerry Allyn, Anne Gauldin and Denise Yarfitz. The Waitresses performed guerrilla actions in restaurants, in addition to appearing in more traditional performance venues, and explored issues around work and women's roles in society.

1 videocassette of 1 (U-matic) (31 min.) : sd., col. and b&w ; 3/4 in. original.

Information

SNAC Resource ID: 8324852

Getty Research Institute

Related Entities

There are 3 Entities related to this resource.

Woman's Building (Los Angeles, Calif.)

http://n2t.net/ark:/99166/w6xb31gg (corporateBody)

In 1973, artist Judy Chicago, graphic designer Sheila Levant de Bretteville, and art historian Arlene Raven founded the Feminist Studio Workshop (FSW), one of the first independent schools for women artists. The founders established the workshop as a non-profit alternative education center committed to developing art based on women's experiences. The FSW focused not only on the development of art skills, but also on the development of women's experiences and the incorporation of th...

Waitresses (Group of artists)

http://n2t.net/ark:/99166/w6fc5s2z (corporateBody)

The Waitresses was a performance art group founded by Jerri Allyn and Anne Gauldin in 1977 while they were students at the Feminist Studio Workshop (FSW), a program of the Los Angeles Woman's Building. Drawing from their experiences working as waitresses, they created performance art related to the issues of sex discrimination, stereotyping, and wage inequality. The group staged their first performance, the seven-day Ready to Order? (1978) which took place at various restaurants in the Venice ne...

Long Beach museum of art

http://n2t.net/ark:/99166/w62v6njc (corporateBody)

The Long Beach Museum of Art (LBMA) was among the first to focus on video as an artistic medium, spurring similar efforts throughout the United States. Beginning in 1974 the museum began collecting and exhibiting video art, later also actively encouraging the development of video art by co-producing projects and offering editing facilities to artists in its Video Annex. The museum's innovative approaches to the display of video art included several experiments with broadcast and cable television...